Nominated for nine Academy Awards, this landmark adaptation of EM Forster’s classic novel is about the interwoven fates and misfortunes of three families in Edwardian England. Full of lavish sets and elegant costumes, the film tells the stories of two respectable sisters, Margaret (Emma Thompson) and Helen Schlegel (Helena Bonham Carter), who collide with the world of the very wealthy – one sister benefiting from acquaintance with the Wilcoxes (owners of the beloved country home Howards End), the other all but destroyed by it. Compelling and brilliantly acted, the film remains an entertaining, exquisite and elegant pleasure, as moving and relevant as it was on the day of its original release.
Followed by a discussion with costume designers & Academy Awards winners John Bright & Jenny Beavan, OBE, moderated by Keith Lodwick, as part of Fashion and Cinema
With a career spanning over 30 years, Jenny Beavan is one of the most established costume designers with three Academy Awards and four BAFTAs to her credit, among several other awards and nominations. From period perfection in some of the Merchant Ivory productions (Room with a View or The Bostonians among others) to wild post-apocalypse in Mad Max: Fury Road or the unclassifiable Cruella, Jenny has worked with the most wide variety of genres and periods in film.
Her work in television includes The Cranford Chronicles, Mountbatten – The Last Viceroy, as well as Byron and Emma, RTS TV and EMMY Awards for Best Costume Design, respectively.
Jenny’s costume design work includes theatre collaborations with Robert Altman (Resurrection Blues), Jonathan Taylor (Listen to the Music, Deranged Songs) and Howard Davies (The House of Special Purpose, The Talking Cure, Outskirts, Breath of Life and Private Lives, which won her the Laurence Olivier Award for Best Costume Design).
In recognition for her work on film, television and theatre she was appointed Officer of the Order of the British Empire in 2017.
As one of the world’s leading costume designers and costumiers, John Bright has captured the imaginations of audiences around the globe over the past five decades.
The attention to detail in the costumes he has created have brought people, places and moments in time, vividly and authentically to life on both stage and screen.
In 1987 he was awarded an Academy Award and BAFTA for Best Costume Design for A Room with a View.
Keith Lodwick is a curator, writer, and historian. He is the former Curator of Theatre and Screen Arts at the Victoria and Albert Museum in London. At the V&A, Keith curated Vivien Leigh: Public Faces, Private Lives and was the V&A assistant curator for the major exhibition Hollywood Costume, one of the most successful exhibitions in the museum’s history.
Keith has contributed to a wide range of publications including Oliver Messel: In the Theatre of Design, Alexander McQueen: Savage Beauty and Shoe Reels: The History and Philosophy of Footwear in Film.